Jean Rollin’s third feature film, 1971’s The Shiver of the Vampires (Le Frisson des vampires), established themes and visual motifs to which he would return throughout his career, blending horror, eroticism, fairy tale, and surrealism to create his unique cinema of the fantastique.
By day, blind orphans Henriette and Louise seem to be the picture of innocence. But when darkness falls, their sight returns, and they wander the streets of Paris, encountering the city’s strange nocturnal denizens, and leaving a trail of corpses in their quest for fresh blood.
By day, blind orphans Henriette and Louise seem to be the picture of innocence. But when darkness falls, their sight returns, and they wander the streets of Paris, encountering the city’s strange nocturnal denizens, and leaving a trail of corpses in their quest for fresh blood.
Jean Rollin’s third feature film, 1971’s The Shiver of the Vampires (Le Frisson des vampires), established themes and visual motifs to which he would return throughout his career, blending horror, eroticism, fairy tale, and surrealism to create his unique cinema of the fantastique.
Jean Rollin’s startling debut feature, 1968’s The Rape of the Vampire (Le Viol du vampire), introduces his unique take on vampirism, establishing the blend of surrealism, eroticism, and horror that would become his trademark.
Jean Rollin’s startling debut feature, 1968’s The Rape of the Vampire (Le Viol du vampire), introduces his unique take on vampirism, establishing the blend of surrealism, eroticism, and horror that would become his trademark.
One of Jean Rollin’s best-loved films, Lips of Blood (Lèvres de sang) finds the master of the fantastique marshalling all of his obsessions – ruined châteaux, remote beaches, abandoned graveyards, mysterious twins, and female vampires.
One of Jean Rollin’s best-loved films, Lips of Blood (Lèvres de sang) finds the master of the fantastique marshalling all of his obsessions – ruined châteaux, remote beaches, abandoned graveyards, mysterious twins, and female vampires.
One of Jean Rollin’s best-loved films, Lips of Blood (Lèvres de sang) finds the master of the fantastique marshalling all of his obsessions – ruined châteaux, remote beaches, abandoned graveyards, mysterious twins, and female vampires.
One of Jean Rollin’s least-seen and most underrated works, The Night of the Hunted (La Nuit des traquées) finds the director moving away from his trademark tales of vampirism to explore a nightmarish, dystopian world.
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