Few revenge scenarios have ever been so amply justified, but the film is also constantly aware of the satirical possibilities offered by the 1970s music industry, exemplified by Gerrit Graham’s hilariously camp glam-rock star. Jessica Harper (Suspiria) appears in her first major role as the naïve but ambitious singer, on whom Winslow secretly dotes.
Prodigiously inventive both musically and visually, this is one of De Palma’s most entertaining romps, not least because it was so clearly a labour of love.
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