Having established himself as the biggest box office draw in Hong Kong, Bruce Lee leveraged his success into a new deal with Golden Harvest that would allow him to write and direct as well as star in his own projects. He only got to complete one film under this deal before his untimely death, but it’s arguably his most personal and exciting: The Way of the Dragon.
Five years after the release of Enter the Dragon and the death of its star Bruce Lee, director Robert Clouse was recruited by Golden Harvest to complete Lee’s last, unfinished masterwork, only a third of which was filmed before he died: Game of Death. The result is an exciting rollercoaster ride that blends Lee’s martial arts mastery with Clouse’s eye for nail-biting suspense.
“In cyberspace, no one can hear you scream! This turn-of-the-millennium cyber psycho-thriller from Nico Mastorakis (Island of Death, Nightmare at Noon) showcases the usual gleeful eye for excess and inspired casting (including rock stars Roger Daltrey and Huey Lewis) one has come to expect from the cult director.
A gripping, tense double pack of space aged retro sci-fi.
Two-time Academy Award®-winner* Olivia de Havilland stars in a suspenseful shocker that also features future Oscar®-nominee** James Caan in his first major film role. Alone in her residence over a sweltering holiday weekend, a widow (de Havilland) is accidentally trapped in her home elevator during a power failure. Her meticulous, well-organized world is shattered as the elevator, stalled nine feet above the floor, becomes a claustrophobic chamber – a cage
From Ralph Nelson, the acclaimed director of Lilies of the Field, Duel at Diablo, Charly, Soldier Blue and The Wilby Conspiracy, comes the gripping drama Counterpoint, combining the splendor of classical music along with the brutality of the Second World War.
In 1657, the arrival of two strangers in need (Freddie Fox, Tanya Reynolds) transforms the life of Puritan huswife Fanny Lye (Maxine Peake), her husband John (Charles Dance) and young son Arthur (Zak Adams).
Obsession and fate collide in one of the most controversial, provocative films ever made. T
When a very dead suicide victim (Jeremy Childs, Preacher, Nashville) disappears from the morgue, it sets in motion a chain of events that has the power to immolate everything, and everyone, it touches.
One of legendary director Fritz Lang‘s first noir films, The Woman in the Window is also rightfully considered one of the most important examples of the genre, a landmark movie that became one of the initial representations of noir first singled out by French critics after WWII. A triumph for Lang, legendary writer/producer Nunnally Johnson (The Grapes of Wrath), and leading man Edward G. Robinson (shedding his earlier gangster roles to portray a love-struck obsessive), the film remains a classic American nail-biter.
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